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Boys Don't Cry [VHS]

Boys Don't Cry [VHS]
Directed by Kimberly Peirce

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A true story about hope, fear, and the courage it takes to be yourself, "Boys Don't Cry" is "One of the 10 best films of 1999" (National Board of Review). Critically acclaimed and nominated for two Golden Globe Awards, this four-star, "must-see" (People), "riveting" (Enterainment Weekly) drama features incredible performances by newcomers Hilary Swank and Chloe Sevigny.


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Editorial Reviews

Amazon.com essential video
When Brandon Teena, a young man with an infectious, aw-shucks grin and an angelic face that's all angles, wanders into Falls City, Nebraska, he takes to the town like it's a second skin. In little time he's fallen in with a gang of goofy if temperamental redneck boys, found himself a girlfriend, and befriended enough people to form something of a small family. In fact, it's the best time Brandon's ever had. However, there are shadows looming over Brandon's life: a court date for grand theft auto, a checkered criminal record, and a seemingly innocuous speeding ticket that could prove to be his undoing. Why? Because as it turns out, Brandon Teena is actually Teena Brandon, a woman masquerading as a man.

This fascinating story was based on real-life events (as documented in The Brandon Teena Story) that occurred in 1993 and ended in tragedy: Brandon's rape and murder by two of his supposed friends. Despite this horrible outcome, however, in the hands of director Kimberly Peirce (who cowrote the unfettered screenplay with Andy Bienen), Brandon's story becomes not oppressive or preachy, but rather oddly and touchingly transcendent, anchored by Hilary Swank's phenomenal, unsentimental performance. Swank inhabits Brandon's contradictions and passions with a natural vitality most actresses would refuse to give themselves over to. Brandon's deception is doomed from the start, but Swank's enthusiasm is infectious, and when Brandon starts romancing the sloe-eyed Lana (a pitch-perfect Chloë Sevigny), he finds a soul mate who wants to transcend boundaries and fated identities as much as he does. The last part of the film, when Brandon's true identity is discovered, is truly painful to watch, but in between the agony there are touching moments of sweetness between Brandon and Lana, who wrestles with the truth of who Brandon actually is. You'll come away from Boys Don't Cry with affection and respect for Brandon, not pity. --Mark Englehart

From The New Yorker
A delicately conceived but fearless movie. In small-town Nebraska, a young woman named Teena Brandon (Hilary Swank) clips her hair into a butch cut, flattens her breasts, puts on boys' clothes and a boy's swagger, and passes in the world as Brandon Teena, handsome young dude. What she feels is pure exhilaration, the excitement of leaving her past behind and becoming a lover; what we feel is dismay and fear. Brandon falls in with a group of derelict, white-trash kids and attracts the languid beauty Lana (Chloë Sevigny), who allows herself to think that Brandon is a man-with inevitably disastrous results. The movie is a fine, terrifying tragic poem that is also, at times, subversively funny: the women who like Brandon seem to want the feminine as well as the masculine in a lover. Director Kimberly Peirce, who wrote the screenplay with Andy Bienen, embraces a full-bodied lyrical realism in which nothing is exaggerated but nothing is avoided, either. With Peter Sarsgaard and Brendan Sexton III as two mangy ex-cons, and Jeannetta Arnette as Lana's boozing mom, who desperately hopes that everything will come out all right. Based on actual events, which were the subject last year of a documentary called "The Brandon Teena Story." -David Denby
Copyright © 2006 The New Yorker




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